|Dickens and the Supernatural|
Of course, we already associate Dickens with ghosts thanks to A Christmas Carol, but his more general interest in the supernatural is less well known.
Dickens enjoyed scary stories from a young age and read The Terrific Register as a teenager, a penny weekly magazine featuring macabre tales of murder, incest, ghosts and cannibalism. Elements of the supernatural appear in a number of his works.
Victorian England had a fascination with mortality, death and the macabre. Spiritualism had reached 19th century England from America and people were interested in ghostly activity. But along with this fascination for the dark and unexplained, there was also a growth in science and a new understanding of how the mind worked.
Dickens himself believed that all supernatural phenomena must have rational explanations and he was interested in psychology and animal magnetism or "mesmerism" - a popular practice in the 19th century of inducing a trance-like state, similar to hypnosis, by waving hands over the body.
Among the items in the exhibition is a letter from Dickens to his wife referring to a disagreement they had had over a lady he had been treating for a nervous disorder with mesmerism and an article called "well authenticated rappings", in which Dickens makes fun of spiritualists for believing that spirits would waste their time conveying pointless messages full of mistakes.
A programme of events to accompany the exhibition will include talks by the well-known biographer, Claire Tomalin, author of Other Dickens: Pickwick to Chuzzlewit, writer and broadcaster, John Bowen, and Victorian magic tricks from David Weeks of The Magic Circle.
There is also a lecture series for schools on Gothic and 19th century literature in relation to Dickens.
Exhibition: A Hankering after Ghosts: Charles Dickens and the Supernatural, British Library, London, until March 4 2012
Open 10am-6pm (8pm Tuesday, 5pm Saturday, 11am-5pm Sunday). Admission free.